An Innocent Little Girl

The little girl is innocent

 

they’ve put henna on her hands

 

they’ve plaited her hair beautifully

 

they’ve put kohl round her eyes

 

they’ve dyed her eyebrows

 

they’ve applied red and white makeup to her doll-like face

 

like poor girls’ tattered dolls

 

she now looks ridiculous

 

 

 

The little girl is innocent

 

she doesn’t see herself

 

she’s dazzled by her blouse that’s woven with gold thread

 

the room smells of old rose-water, milk, and sweat

 

breath suffocates within their chests

 

the women sing and dance with tambourines and

 

   little drums

 

the little girl smiles

 

 

 

Women tie white flowers for good fortune,

 

and second-hand gold jewelry

 

within her ringlets that are wet with sweat

 

 

 

The little girl thinks

 

                 she is a doll

 

the little girl is innocent

 

she doesn’t know anything

 

 

 

Her mother looks at her

 

emptily staring, the hollows of her eyes

 

filled with pain

 

in his own world, her father

 

                   counts the money

 

and the old bridegroom

 

                   is really happy

 

 

 

The little girl is innocent

 

she doesn’t know the difference between henna and blood

 

they’ve prepared her beautifully

 

for weeping,

 

she doesn’t know, she doesn’t know…

• Favzieh Rahgozar Barlas captures a snapshot of child marriage, its cultural and economic context, and its physical and emotional aftermath.

  1. How old do you think the little girl is in the poem? How old is the bridegroom?

 

  1. Describe the speaker/persona in the poem. What, if any, are the similarities and differences between them and other characters in the poem?

 

  1. There is a lot of repetition in the poem. Three stanzas start with the line, “The Little girl is innocent”. Variations of the line “she doesn’t know” are also found throughout the poem. Does the repetition advance the plot? How?

 

  1. The poem is full of sensory language. Some of the images turn into symbols at the end of the poem through repetition and emphasis. Could you spot a few of images-turned-symbols?

  

  1. Should you decide to recite this poem, experiment with different ways of saying “the little girl is innocent” and “she doesn’t know”. Are these lines better said the same way each time, with gradual emphasis, or with increasing understatement? Why? Do you think this decision will change the tone of your performance?

 

Writing Activity

 

  1. Write a persona poem in which the little girl is the main speaker. Use the first person (The speaker is “I”). Address and/or describe your father, mother, the bridegroom, the guests, and the speaker of the original poem. Use refrains and repetitions.

 

  1. This poem is a translation. If you know another language, choose a poem in that language, and translate it into English.

 

Useful Links

 

  1. Girls increasingly at risk of child marriage in Afghanistan, Statement by UNICEF Executive Director Henrietta Fore: https://www.unicef.org/press-releases/girls-increasingly-risk-child-marriage-afghanistan

 

  1. Child marriage is 'a hidden crime,' and it's happening in Western nations, says survivor and advocate, CBC, The Current: https://www.cbc.ca/radio/thecurrent/the-current-for-may-17-2021-1.6029349/child-marriage-is-a-hidden-crime-and-it-s-happening-in-western-nations-says-survivor-and-advocate-1.6029454

 

 

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Bibliographical info

Favzieh Rahgozar Barlas' "An Innocent Little Girl" translated by Dick Davis from The Mirror of My Heart: A Thousand Years of Persian Poetry by Women. Copyright © 2019 by Mage Publishers. Used with permission of Mage Publishers. All rights reserved.

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